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The Wise Man's Fear: The Kingkiller Chronicle: Day Two, by Patrick Rothfuss

“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
My name is Kvothe. You may have heard of me.

So begins the tale of a hero told from his own point of view—a story unequaled in fantasy literature. Now in The Wise Man’s Fear, Day Two of The Kingkiller Chronicle, Kvothe takes his first steps on the path of the hero and learns how difficult life can be when a man becomes a legend in his own time.

  • Sales Rank: #1212 in Books
  • Brand: Rothfuss, Patrick
  • Published on: 2013-04-02
  • Released on: 2013-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 2.00" w x 4.19" l, 1.00 pounds
  • Binding: Mass Market Paperback
  • 1120 pages

Amazon.com Review

Amazon Best Books of the Month, March 2011: The Wise Man's Fear continues the mesmerizing slow reveal of the story of Kvothe the Bloodless, an orphaned actor who became a fearsome hero before banishing himself to a tiny town in the middle of Newarre. The readers of Patrick Rothfuss's outstanding first book, The Name of the Wind, which has gathered both a cult following and a wide readership in the four years since it came out, will remember that Kvothe promised to tell his tale of wonder and woe to Chronicler, the king's scribe, in three days. The Wise Man's Fear makes up day two, and uncovers enough to satisfy readers and make them desperate for the full tale, from Kvothe's rapidly escalating feud with Ambrose to the shockingly brutal events that mark his transformation into a true warrior, and to his encounters with Felurian and the Adem. Rothfuss remains a remarkably adept and inventive storyteller, and Kvothe's is a riveting tale about a boy who becomes a man who becomes a hero and a killer, spinning his own mythology out of the ether until he traps himself within it. Drop everything and read these books. --Daphne Durham


Author One-on-One: Patrick Rothfuss and Brandon Sanderson
In an exclusive interview for Amazon.com, epic fantasy authors Patrick Rothfuss (The Wise Man's Fear) and Brandon Sanderson (Towers of Midnight) sat down to discuss collaborating with publishers, dealing with success, and what goes into creating and editing their work.

Rothfuss: Heya Brandon.

Sanderson: Hey there, Pat. Nice talking with you again.

Rothfuss: Thanks for being willing to do this. I know you're insanely busy these days.

Okay. Let me just jump right in here with a question. How long was Way of Kings? I heard a rumor that the ARC I read was 400,000 words long. It didn't really feel like it…

Sanderson: Let me see. I will open it right now and word count it, so you have an exact number. It’s 386,470 words, though the version you read was an advance manuscript, before I did my final 10% tightening draft, which was 423,557 words.

I didn’t really want it to be that long. At that length we’re running into problems with foreign publishers having to split it and all sorts of issues with making the paperback have enough space. I didn’t set out to write a thousand-page, 400,000-word book. It’s just what the novel demanded.

Rothfuss: Wise Man's Fear ended up being 395,000 words. And that's despite the fact that I've been pruning it back at every opportunity for more than a year. I'd spend weeks trimming superfluous words and phrases, extra lines of dialogue, slightly redundant description until the book was 12,000 words shorter.

Then a month later I'd realize I needed to add a scene to bring better resolution to a plot line. Then I'd add a couple paragraphs to clarify some some character interaction. Then I'd expand an action scene to improve tension. Suddenly the book's 8,000 words longer again.

Sanderson: Yeah, that’s exactly how it goes.

It’s very rare that I’m able to cut entire scenes. If I can cut entire scenes that means there’s something fundamentally not working with the sequence and I usually end up tossing the whole thing and rewriting it. But trimming, or pruning as you described it, works very well with my fiction.

I can usually cut fifteen percent off just by nurturing the text, pruning it, looking for the extraneous words and phrases. But I wonder if in doing that there’s a tendency to compensate. There’s a concept in dieting that if someone starts working out really hard, they start to say, “Well, that means I can now eat more,” and you’ll find people compensating for the extra calorie loss by eating more because they feel they can. I wonder if we do that with our fiction. I mean, I will get done with this big long trim and I’ll say, “Great, now I have the space to do this extra thing that I really think the story needs,” and then the story ends up going back to just as long.

Though at least in my case I can blame my editor too. He’s very good with helping me with line edits, but where we perhaps fuel each other in the wrong way is that he’ll say, “Ooh, it’d be awesome if you add this,” or “This scene needs this,” or “Can you explain this?” And I say, “Yes! I can explain that. I’d love to!” And then of course the book gets longer and then we both have to go to Tom Doherty with our eyes downward saying, “Um, the book is really long again, Tom. Sorry.”

I have a question for you, then. Did you always intend the Kingkiller Chronicle to be three days split across three books? Or did you start writing it as one book and then split it? What’s the real story behind that?

Rothfuss: Assuming I had any sort of plan at the beginning is a big mistake. I just started writing. I didn't have a plan. I didn't know what I was doing.

For years and years I just thought of it as The Book in my head. I've always thought of it as one big story. Then, eventually I realized it would need to be broken up into volumes.

I can't say why I picked three books except that three is a good number. It's sort of the classic number. And while the story is working well in this format, part of me wishes I'd broken it into smaller chunks. This second book has so many plotlines. If I'd written this trilogy as say, 10 books, each one would be much shorter and self contained. More like the Dresden Files.

That's pointless musing though. I'm sure if I'd written smaller volumes right now I'd be thinking, "Oh! if only I'd written these as longer books I could play more with interwoven plot lines…"

Read the full interview

From Publishers Weekly
Starred Review. As seamless and lyrical as a song from the lute-playing adventurer and arcanist Kvothe, this mesmerizing sequel to Rothfuss's 2007's debut, The Name of the Wind, is a towering work of fantasy. As Kvothe, now the unassuming keeper of the Waystone Inn, continues to share his astounding life story—a history that includes saving an influential lord from treachery, defeating a band of dangerous bandits, and surviving an encounter with a legendary Fae seductress—he also offers glimpses into his life's true pursuit: figuring out how to vanquish the mythical Chandrian, a group of seven godlike destroyers that brutally murdered his family and left him an orphan. But while Kvothe recalls the events of his past, his future is conspiring just outside the inn's doors. This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence, and will leave fans waiting on tenterhooks for the final installment. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review
"The best epic fantasy I read last year... I gulped it down in a day, staying up almost to dawn reading, and I am already itching for the next one. He's bloody good, this Rothfuss guy."
— George R. R. Martin, #1 New York Times bestselling author of A Game of Thrones

“As seamless and lyrical as a song from the lute-playing adventurer and arcanist Kvothe, this mesmerizing sequel to Rothfuss’s 2007 debut, The Name of the Wind, is a towering work of fantasy.... This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence, and will leave fans waiting on tenterhooks for the final installment.”
— Publishers Weekly (starred)

“Reminiscent in scope of Robert Jordan’s Wheel of Time series and similar in feel to the narrative tour de force of The Arabian Nights, this masterpiece of storytelling will appeal to lovers of fantasy on a grand scale.”
— Library Journal (starred)

“The Wise Man’s Fear fairly leaps off the page, whatever the setting and circumstances”
— Locus

“This sequel carries the first book’s ideas and wild exuberance further, with aplomb. By combining bold choices with bolder sincerity, Rothfuss has found one of the secrets of great storytelling. He doesn’t reinvent the wheel, but he knows damn sure how to ride it.”
— The Onion A. V. Club

“In the end, I think that if I distill why I've loved these books so much more than others, it's because of this: They're beautiful. Wise Man's Fear is a BEAUTIFUL book to read. Masterful prose, a sense of cohesion to the storytelling, a wonderful sense of pacing.... None of that is the reason for the awesomeness any more than a single dab of paint is the reason why a Monet is a thing of wonder. But if you step back...you are left with a sense of awe. There is a beauty to Pat's writing that defies description.”
— Brandon Sanderson, New York Times bestselling author of The Way of Kings

“The Wise Man's Fear was worth waiting for. It’s about as good as this kind of fantasy can possibly get.... This is an extremely immersive story set in a flawlessly constructed world and told extremely well. I don’t want to criticize it and analyse it—I don’t want to step that far away from it. I want to sink down below the surface of it and become completely immersed.”
— Jo Walton, Tor.com

Most helpful customer reviews

1114 of 1279 people found the following review helpful.
This Book is Bi-Winning
By James M. Bennett
I love The Name of the Wind. In fact, I've been able to make myself a hero on oodles of occasions by recommending Name of the Wind to people "looking for a good book." The only person I've recommended it to who didn't really care for it was my wife. So figure that one out.

I received Wise Man's Fear from Amazon early Tuesday morning and devoured it. I was never bored while reading it - the characters were sharp, Rothfuss is a ridiculously skilled writer, and there's plenty in this book to keep you engrossed and entertained.

So why three stars? Why am I not falling all over myself to praise this one?

Because it's kind of a mess. An engrossing, brilliant, hot and swanky mess, but a mess just the same.

My biggest problem is that, with some minor, token exceptions, I know exactly as much about the Chandrian as I did before I read this book. Same goes for the Amyr and the Valeritas door in the archives. I actually feel like I know less about the framing story with the Scrael and Kvothe's slow-mo death wish. All the new things Rothfuss reveals in Book II are things that are kind of cool and groovy in their own right, but they seem fairly inconsequential to the overall story, and often they feel as if they've been dragged in from the Kvothe band's inferior opening act. It's like I've watched an entire season of a Kvothe TV series that is saving all the good bits for sweeps, which presumably doesn't arrive until Book III.

And, to dangerously and alchemically mix metaphors, Book III is going to have to do a whole lot of heavy lifting to tie up all the loose ends. I would not be surprised if the Kingkiller Chronicles isn't really as trilological as Rothfuss initially intended. (No, trililogical isn't really a word. Shut up.)

And, to move from the trililogical to the puritanical, I found it jarring that Kvothe shifted from Gentlemanly Prude to Sheenlike Horndog in about twenty pages. Lots more sex in this book than the recommended daily allowance. Kvothe also kills a lot of people in very gruesome and bloody ways, and, disconcertingly, he seems to enjoy it altogether more than he ought. He's a very interesting, compelling character, but I don't like him nearly as much as I did before this book started. But what do I know? He's on a drug called Kvothe, and if you took it, your children would weep over your exploded body. (For the record, I don't really like Charlie Sheen that much, either.)

Oh, that leads me to a minor spoiler: Kvothe also, apparently, nibbles on some obscure birth control root on a regular basis to keep his Kvothified spermies in check. This was the only moment in the book that I thought was unqualifiedly ridiculous. Kvothe loses everything he owns multiple times in this book, but somehow, someway, he holds onto his arboreal condoms? Please.

To sum up: Wise Man's Fear is a mixed, messy bag. Still love Rothfuss; still love The Name of the Wind, and will buy and devour the third book on the first day of its release.

224 of 260 people found the following review helpful.
From fascinating adult adventure to adolescent fantasy...
By E. Heard
The first half of Wise Man's Fear is an improvement over the previous book in the Kingkiller Chronicles. There is intrigue, mystery, complex interpersonal drama, great writing, and great pacing. Then halfway through the book, Rothfuss decides to let us in on the fantasies of his fifteen-year-old self, and the book goes downhill from there.

The book picks up precisely when the previous book left off, sparing little time to catch people up or re-explain everything in case a reader started with book two. I'm glad about that. I hate it when a series is up and running and the author or publisher feels that they need to throw in some exposition for people who didn't read the earlier books. Seriously...who starts a series at book two? Anyway...It goes great for a long while. I found the second half of the first book to be the best, and this seemed like a continuation of that. A lot happens, mostly having to do with Kvothe's adventures at the University and then on to a different land, where Kvothe gets some experience dealing with nobility and goes on an adventure with a ragtag group of adventurers.

Then...just over halfway through the book, the plot comes to a grinding halt. Don't want to spoil anything. So I'll just say that something happens that is totally unrelated to what had been going on in the first two books. It is mentioned in book one (I think), but only as one of Kvothe's many legendary accomplishments. Funny thing is, what happens is very similar to one of the fantasies I used to dream up before bed when I was a nerdy, lonely, sex-crazed teenager. I don't mind the occasional bit of self-indulgence from an author, but this goes on way too long, further emphasizing just how juvenile it is. After it is finally over, we are then diverted again to another side-adventure in which Kvothe learns how to fight. Once again, the teenage fantasies kick-in, and not only does he learn to fight, but he gets to have sex with hot women while doing doing it. As I was reading this, I couldn't help but chuckle and shake my head at just how unbelievable and juvenile the whole thing is. And yet again it goes on way too long. After these two bits are over, we get a bit of the good from the first half again...then the books is over.

I felt the author took too long with side-diversions and things left unresolved from book one were left hanging, especially his relationship with Denna. I'm not going to spoil anything, but I feel confident in advising anyone who hasn't read this yet to go ahead and skip the "romantic" scenes with Denna. Seriously. Just skip them. NOTHING is resolved. They are frustrating, and not in a Pride and Prejudice way, but in a "Yeah, yeah, dude...We get the picture...She's hard to get! Can we PLEASE move ON!!!" way. Also, Denna is the most uninteresting character in the series. Her only good qualities seem to be that she is pretty and witty. Given the many interesting women with whom Kvothe finds himself, Denna is the least exciting.

My favorite of Kvothe's relationships is the one with loan-shark Devi, a fascinating character who practically leaps off of the page. When you read her scenes, it almost feels like Rothfuss realizes how much more interesting she is than Denna, and so stubbornly stops himself from letting her truly shine in the way she should.

C'mon Patrick! Free Devi! ...Or else make Denna more interesting. We should be given a reason to fall in love her along with our protagonist. SO far, you have given us no reason for Kvothe's bizarre obsession with her, and given us every reason to fall in love with Devi. Can't blame us for that.

The book is worth reading if you can tell yourself to go ahead and skip ahead a few pages when it feels like it is meandering. I will read the third installment when it comes out. Hopefully Rothfuss will keep it moving forward and spare us the adolescent fantasies the next time around.

146 of 171 people found the following review helpful.
Every time the story started to gain momentum, it slammed into a wall
By Hokeyboy
Maybe the review title sounds like a pan, and I guess it is, but as much as I was absolutely enchanted by "The Name of the Wind", Rothfuss's followup "The Wise Man's Fear" left me tired and ultimately frustrated, and yet all the while I couldn't put it down. Many have spoken about how 1000 pages of story barely advanced anything in the grand scheme of things, and it's a sound argument. As pointed out by another review I read, WMF feels like Act 1: Part 2 rather then Act 2 of 3. It's a ***, maybe a *** 1/2 whereas the first one was a full *****.

*** SPOILERS FROM THIS POINT ON ***

My main problem was that every time it felt like the story was advancing and evolving in an organic way, Rothfuss slammed the breaks on the plot and sent Kvothe off in another disappointing direction. The transition from the University to the Maer's palace was fine enough, if you don't mind several chapters worth of plot excised (the shipwreck, pirates, etc.) I can see why it was removed -- anything to move the story along, right? We needed to get Kvothe to Vintas. OK, cool. And everything in that section of the book, the palace intrigue, political maneuvering, Kvothe's cunning and observation really felt like it was pushing Kvothe towards a new chapter in his life. And it was. And just as things got interesting and were leading towards a culmination of several hundred pages worth of plotting... Rothfuss decides to send Kvothe out on an elongated, drawn-out bandit hunt.

I felt the air draining from the novel's lungs. So now we have to start a whole new plotline just when things were getting REALLY good in Vintas. The Bandit Hunt. Great. What was the overall purpose? To introduce Kvothe to Tempi AND to show a brief glimpse of a Chandrian (who makes a hasty exit to no last impact). OK well several seemingly endless pages later, everything's wrapped up and we can get right back to Vintas, right?

Nope. He sees Feleurian one night (out of the blue), runs off after her, and the plot is sidelined AGAIN for a hundred pages of Kvothe: SEX GOD! He can't lose his virginity in a human way that reflects his growth into manhood, he has to pursue and subdue an anotherworldly Fae sex goddess who teaches him some combination of the Kama Sutra and the Malaysian Pile Driver that makes him the master cocksman of the universe. Oh and he gets a cloak and some plot exposition from a powerful talking tree. Can we get this over with please?

So now he comes back and he's banging half the universe, but OK, **NOW** the plot can start getting interesting again? Nope, Tempi's in trouble for teaching the Ketan and Lethani, so now he's going to run off and defend him in Admere. For the love of God, we don't have THAT many pages left in the book and we're off on another tangent. But it's OK because now not only is Kvothe a 16-year-old Sex God, he ends up being the only barbarian admitted to the world's baddest martial arts order as well. But as long as he ends up learning something from it, right?

Wrong. He goes back to the University and he's back EXACTLY where he was before, still headstrong, still angry, only now this time he has money. And the book ends.

I haven't mentioned Denna at all until now. Because the fine, mysterious, intriguing character from the first book became an annoying, obnoxious, forgettable buzzkill in this book. Every time she showed up -- magically, wherever Kvothe seemed to be -- she was the literally equivalent of 17-car pileup in a deep fog. The dynamic of their relationship never changed, and the sum change in their relationship from book to book is nonexistent.

And yet, for all the problems I had with the plot -- and there were many -- it was the details, the universe, the sense of wonder, the dialog, the humor, Rothfuss's prosaic writing style... it was the little things that I loved most. Overall I didn't think too much of the book. Taken on its own, it was fine. It just didn't seem to add up to much in the end, and the narrative kept tripping over itself so much that it never was able to maintain any momentum after the first half of the book or so. Disappointing.

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  • Sales Rank: #6015405 in Books
  • Published on: 1900
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Epic of Gilgamesh, by Morris Jastrow, Albert T. Clay

The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. Dating from the Third Dynasty of Ur (circa 2100 BC), it is often regarded as the first great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The story introduces Gilgamesh, king of Uruk. Gilgamesh, two-thirds god and one-third man, is oppressing his people, who cry out to the gods for help. For the young women of Uruk this oppression takes the form of a droit du seigneur — or "lord's right" to sleep with brides on their wedding night. For the young men (the tablet is damaged at this point) it is conjectured that Gilgamesh exhausts them through games, tests of strength, or perhaps forced labour on building projects...

  • Sales Rank: #1322301 in Books
  • Published on: 2015-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .43" w x 6.00" l, .58 pounds
  • Binding: Paperback
  • 188 pages

Amazon.com Review
This edition provides a prose rendering of The Epic of Gilgamesh, the cycle of poems preserved on clay tablets surviving from ancient Mesopotamia of the third mi llennium B.C. One of the best and most important pieces of epic poetry from human history, predating even Homer's Iliad by roughly 1,500 years, the Gilgamesh epic tells of the various adventures of that hero-king, including his quest for immortality, and an account of a great flood similar in many details to the Old Testament's story of Noah. The translator also provides an interesting and useful introduction explaining much about the historical context of the poem and the archeological discovery of th e tablets.

Review
"Andrew George has skillfully bridged the chasm between a scholarly re-edition and a popular work”
—London Review of Books

“Humankind’s first literary achievement...Gilgamesh should compel us as the well-spring of which we are inheritors...Andrew George provides an excellent critical and historical introduction.”
—Paul Binding, Independent on Sunday

“This volume will endure as one of the milestones markers...[George] expertly and easily conducts his readers on a delightful and moving epic journey.”
—Samuel A. Meier, Times Literary Supplement

“Appealingly presented and very readably translated...it still comes as an exhilarating surprise to find the actions and emotions of the Sumerian superhero coming to us with absolute immediacy over 30-odd centuries.
—Scotsman

“Andrew George has formed an English text from the best of the tablets, differentiating his complex sources but allowing the general reader a clear run at one of the first enduring stories ever told.”
—Peter Stothard, The Times

“An exemplary combination of scholarship and lucidity...very impressive...invaluable as a convenient guide to all the different strands which came together to produce the work we now call Gilgamesh.”
—Alan Wall, Literary Review

About the Author
N. K. Sandars studied, soon after the war, with Professor Gordon Childe at the Institute of Archaeology, University of London, and took the diploma of the Institute. She continued to work at Oxford, taking a B.Litt. degree in the prehistory of Europe, and thereafter she worked on the prehistory of the Aegean, receiving a studentship at St. Hugh’s College, Oxford, a scholarship from Oxford University and a travelling prize from the University of Liverpool. She has travelled extensively in Europe and in the Near and Middle East, and has taken part in excavations in the British Isles and overseas. She has contributed article to various journals and is the author of Bronze Age Cultures in France, Prehistoric Art in Europe, Poems of Heaven and Hell from Ancient Mesopotamia, and The Sea Peoples. She is a fellow the British Academy and of the Society of Antiquaries of London and a corresponding member of the German Archaeological Institute.

Most helpful customer reviews

18 of 19 people found the following review helpful.
Research version, not reading-for-pleasure version.
By Voracious Reader
I think which version of this you want depends on why you are reading it.

If you are a scholar, this might be your version. I assume it's close to the original. But the original is fragmented, and unclear, so if you just want to appreciate the story, this is NOT the edition you want.

Here's the opening paragraph:

"He who saw the deep, the country's foundation
[who] knew ... , was wise in all matters."

If you want to just read it, [who] and missing words "..." are just an annoyance. And it goes on like this.

If you are researching, the faithful representation may be a plus, if you just wanted to get familiar with the story, as I did, you'll want a different edition.

4 of 4 people found the following review helpful.
A SCHOLARLY VERSION OF THE GILGAMESH TALE
By Robert Williams
The Epic of Gilgamesh is an expertly written scholarly account of the Babylonian classic. Andrew George uses his skills as a translator to give us the story of the hero king Gilgamesh of Uruk as he battles in the ancient world against man, beast and god in his struggle to achieve immortality. George has actually done most of the translations himself.

Based on the earliest Summerian cuneiform tablets written 1700-1800 BCE, the epic has survived as clay fragments pieced together and preserved from the ruins of past civilizations. Not a single complete copy of the work exists, however, enough fragments from the various dig sites in Iraq and elsewhere have provided us with 11 tablets of varying length composing some 3000 lines of verse, though it is still not entirely represented. The ancients wrote in two languages, Akkadian and Sumerian. A copy was found in the ruins at Megiddo signifying that the hebrews had access to the ancient story.

In the story, the great "Flood Myth" is aluded to. The Flood is strangely similar to the "Flood Myth" presented in Genesis, though it was composed at a time many centuries before the OT was written. Various versions of Gilgamesh have survived from different localities and ages using different names for the gods and other characters, however, the story remains bacically unchanged from 1800 BCE till the last copies were made c. 100 BCE.

In the story the Anunnaki Gods created humanity to service them but they then sought to destroy the humans because they had become a bother. They tried different means to reduce the population, but then arrived at the "Flood" solution. The character Uta-napishti is likened to Noah. He builds an 'ark', loads it with animals, his family and all his worldly wealth. As a reward for his survival, the God Enlil who created the flood, rewards him with imortality. And thus Gilgamesh seeks out Uta-napishti to learn the secret of eternal life.

Overall, I thought the work was a great translation of the tale as well as a good source of knowledge of the ancient world as well as the archaeology of the tablets themselves. I enjoyed reading the book.

5 of 5 people found the following review helpful.
Not a great teaching text
By allthatfall
This may be a careful and attentive translation, but it's dutiful apparatus keeps interrupting and distracting the reader.Instead of silently incorporating a parallel version to cover a gap in the main text, the translator announces it and breaks the flow. Too many ellipses, too many bracketed passages, and the intrusive chapter summaries are unnecessary (and would tempt the lazy student to merely read the summaries and not the translation).

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Senin, 17 November 2014

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Lifebuoy Men, Lux Women: Commodification, Consumption, and Cleanliness in Modern Zimbabwe (Body, Commodity, Text), by Timothy Burke

How do people come to need products they never even knew they wanted? How, for example, did indigenous Zimbabweans of the 1940s begin to believe that they required Lifebuoy soap? Offering a glimpse into the intimate workings of modern colonialism and global capitalism, Timothy Burke takes up these questions in Lifebuoy Men, Lux Women, a study of post-World War II commodity culture in Zimbabwe.
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Integrating political economy, cultural studies, and a wide range of the social sciences, Lifebuoy Men, Lux Women will find readers among scholars of colonialism, African history, and ethnography as well those for whom the problem of commodification is a significant theoretical issue.

  • Sales Rank: #1093251 in Books
  • Published on: 1996-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.16" h x .89" w x 5.98" l, 1.15 pounds
  • Binding: Paperback
  • 312 pages

Review
“An exciting and original contribution to a number of areas of study: the history of Africa, the history of the body, and the history of commodification. It is clearly the result of painstakingly thorough research combined with considerable analytical skill and historical imagination. It is one of the few pieces of African historical writing I have read recently which successfully combines empirical research with a real grasp of theory.”—Megan Anne Vaughan, Oxford University

“Well researched, highly intelligent, well written, and markedly original—there is nothing like it in the literature of East, Central, and Southern Africa.”—Terence Ranger, Oxford University

From the Back Cover
"An exciting and original contribution to a number of areas of study: the history of Africa, the history of the body, and the history of commodification. It is clearly the result of painstakingly thorough research combined with considerable analytical skill and historical imagination. It is one of the few pieces of African historical writing I have read recently which successfully combines empirical research with a real grasp of theory."--Megan Anne Vaughan, Oxford University

About the Author

Timothy Burke is Associate Professor of History at Swarthmore College.

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0 of 0 people found the following review helpful.
Five Stars
By Pamela C
Great book used as a text in my Anthropology graduate program.

See all 1 customer reviews...

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Sabtu, 15 November 2014

[S820.Ebook] Download Bruce Lee - The Way of the Dragon #2 - 1995, by Various

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This is the last in the series of 3 rare old magazines1995 we have just found and in it you will find 3 uncut and unabridged articles of Bruce and these are the three best he ever gave. There is also all kinds of rare photos of him in this magazine that have never been seen before. Great JKD training and so much more.

  • Sales Rank: #1101307 in Books
  • Published on: 1995-12-07
  • Binding: Mass Market Paperback
  • 132 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Non-Seminar News on Bruce Lee
By The Religeous
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0 of 0 people found the following review helpful.
Excellent
By Budoman
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Four Stars
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Sabtu, 08 November 2014

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America's family advocate, Dr. James Dobson, often teaches about the "critical decade"-those between the ages of 16 and 26 who are making major life decisions. Adapted from his best-selling book, Life on the Edge, these seven pocket-sized booklets offer insight and advice for a generation searching for significance. Dobson addresses topics such as emotions and love, money, compatibility, God's will, and the ironies of life. These booklets provide invaluable, practical advice for teaching youth that the right decisions during this critical decade can be the grand beginning to a life that will never end.

  • Sales Rank: #3781865 in Books
  • Brand: Brand: Thomas Nelson
  • Published on: 2001-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .21" h x 3.98" w x 6.72" l,
  • Binding: Paperback
  • 64 pages
Features
  • Used Book in Good Condition

About the Author
Dr. James Dobson is founder and president of Focus on the Family, a non-profit evangelical organization dedicated to the preservation of the home. He is the best-selling author of numerous books, including Life on the Edge, Parenting Isn't for Cowards, Love Must be Tough, and Straight Talk to Men. His international radio broadcast, "Focus on the Family" is heard on more than 4,000 stations worldwide.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Great book, don't miss this one!
By A Customer
A nice combination of these two awesome books...Dr. Dobson hits the nail right on the head and offers fresh insight and unpolluted perspective on some tough issues in our time.

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Selasa, 04 November 2014

[Z977.Ebook] PDF Download Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes

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Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes

Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes



Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes

PDF Download Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes

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Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes

ADD THIS BOOK TO YOUR CART AND SAVE 25% from December 3 - 31, 2015. The Teradata 14 Basics Study Guide is designed for those who are interested in becoming a Teradata Certified Professional. Through simplified examples and explanations, this guide prepares the reader to take the Teradata 14 Basics Exam. The Teradata 14 Certification Study Guides are the only Teradata authorized study publications. Cerulium Corporation partners with Teradata and the Teradata Certified Professional Program to author the Teradata 14 Certification Study Guides.

  • Sales Rank: #537425 in Books
  • Published on: 2013
  • Binding: Paperback
  • 175 pages

Most helpful customer reviews

9 of 9 people found the following review helpful.
Please don't give these plagerists more money
By Joshua B.
Don't buy this book. The information that you are looking for here is available for free. Go to teradata.com/certification, check the objectives for the basics exam, then look up those same topics online. Go to info.teradata.com and read the online documentation. It is more detailed and thorough. Large portions of this book are copied directly from the online documentation, but edited in such a way that you aren't left with the information you need to pass the certification exam.
This book is ridiculously expensive for what it offers - a low quality and incomplete introduction to teradata that will not help you pass the exam, or help you use teradata. This volume is advertizing material for how great the teradata system is, not a guide on how to use it.

6 of 6 people found the following review helpful.
Teradata Basics study guide inadequate
By RM Tonkin
This study guide is hopelessly inadequate for the preparation for the exam. The exam requires a level of detail that is not present in the study guide. The exam requires you to know delicate juxtapositions of facts, how Teradata elements interrelate in a matrix format, and very specific details about each element. The exam multiple choice questions present a set of answers that are often so similar to one another, that it is impossible to know if you are wrong or right. I studied for hours a day from the study guide for 2 weeks and still failed. I will need to supplement the study guide with Teradata manuals. The study guide does not give bullet points, and purposely does not present the information in the way in which you need to know it to pass. I am very disappointed that a study guide of this high price is so poorly put together that it does not prepare you. It is clearly done on purpose to make sure that this certification is very hard to obtain. They are dead right when they say in the preface of the book that studying it will not result in a pass.

6 of 7 people found the following review helpful.
Good guide..
By K. Lynch
Haven't taken the exam yet, taking it tomorrow. The last chapter is a bit of mess and refers to both the Unity Product suite and the old components now being replaced/called Unity or the Unified Architecture. Question 6 only has 1 answer, which is it? This chapter is confusing and leads me to believe I could be asked a question that references either Teradata Replication Services Or Unity Data Mover. I expected more given that this is a Teradata approved study guide. If I pass the exam tomorrow, I'll come back and up my review to 4 stars but right now I'm keeping it to 3.

Update

I passed the exam and the study guide turned out to provide significant value so I increased it to 4 stars. As one other poster said, you definitely need practical experience along with the study guide to pass this exam. The exam is no push over.

See all 13 customer reviews...

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Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes PDF

Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes PDF

Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes PDF
Teradata 14 Certification Study Guide - Basics, by Eric Rivard, Steve Wilmes PDF