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Epic of Gilgamesh, by Morris Jastrow, Albert T. Clay
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The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. Dating from the Third Dynasty of Ur (circa 2100 BC), it is often regarded as the first great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The story introduces Gilgamesh, king of Uruk. Gilgamesh, two-thirds god and one-third man, is oppressing his people, who cry out to the gods for help. For the young women of Uruk this oppression takes the form of a droit du seigneur — or "lord's right" to sleep with brides on their wedding night. For the young men (the tablet is damaged at this point) it is conjectured that Gilgamesh exhausts them through games, tests of strength, or perhaps forced labour on building projects...
- Sales Rank: #1322301 in Books
- Published on: 2015-08-20
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .43" w x 6.00" l, .58 pounds
- Binding: Paperback
- 188 pages
Amazon.com Review
This edition provides a prose rendering of The Epic of Gilgamesh, the cycle of poems preserved on clay tablets surviving from ancient Mesopotamia of the third mi llennium B.C. One of the best and most important pieces of epic poetry from human history, predating even Homer's Iliad by roughly 1,500 years, the Gilgamesh epic tells of the various adventures of that hero-king, including his quest for immortality, and an account of a great flood similar in many details to the Old Testament's story of Noah. The translator also provides an interesting and useful introduction explaining much about the historical context of the poem and the archeological discovery of th e tablets.
Review
"Andrew George has skillfully bridged the chasm between a scholarly re-edition and a popular work”
—London Review of Books
“Humankind’s first literary achievement...Gilgamesh should compel us as the well-spring of which we are inheritors...Andrew George provides an excellent critical and historical introduction.”
—Paul Binding, Independent on Sunday
“This volume will endure as one of the milestones markers...[George] expertly and easily conducts his readers on a delightful and moving epic journey.”
—Samuel A. Meier, Times Literary Supplement
“Appealingly presented and very readably translated...it still comes as an exhilarating surprise to find the actions and emotions of the Sumerian superhero coming to us with absolute immediacy over 30-odd centuries.
—Scotsman
“Andrew George has formed an English text from the best of the tablets, differentiating his complex sources but allowing the general reader a clear run at one of the first enduring stories ever told.”
—Peter Stothard, The Times
“An exemplary combination of scholarship and lucidity...very impressive...invaluable as a convenient guide to all the different strands which came together to produce the work we now call Gilgamesh.”
—Alan Wall, Literary Review
About the Author
N. K. Sandars studied, soon after the war, with Professor Gordon Childe at the Institute of Archaeology, University of London, and took the diploma of the Institute. She continued to work at Oxford, taking a B.Litt. degree in the prehistory of Europe, and thereafter she worked on the prehistory of the Aegean, receiving a studentship at St. Hugh’s College, Oxford, a scholarship from Oxford University and a travelling prize from the University of Liverpool. She has travelled extensively in Europe and in the Near and Middle East, and has taken part in excavations in the British Isles and overseas. She has contributed article to various journals and is the author of Bronze Age Cultures in France, Prehistoric Art in Europe, Poems of Heaven and Hell from Ancient Mesopotamia, and The Sea Peoples. She is a fellow the British Academy and of the Society of Antiquaries of London and a corresponding member of the German Archaeological Institute.
Most helpful customer reviews
18 of 19 people found the following review helpful.
Research version, not reading-for-pleasure version.
By Voracious Reader
I think which version of this you want depends on why you are reading it.
If you are a scholar, this might be your version. I assume it's close to the original. But the original is fragmented, and unclear, so if you just want to appreciate the story, this is NOT the edition you want.
Here's the opening paragraph:
"He who saw the deep, the country's foundation
[who] knew ... , was wise in all matters."
If you want to just read it, [who] and missing words "..." are just an annoyance. And it goes on like this.
If you are researching, the faithful representation may be a plus, if you just wanted to get familiar with the story, as I did, you'll want a different edition.
4 of 4 people found the following review helpful.
A SCHOLARLY VERSION OF THE GILGAMESH TALE
By Robert Williams
The Epic of Gilgamesh is an expertly written scholarly account of the Babylonian classic. Andrew George uses his skills as a translator to give us the story of the hero king Gilgamesh of Uruk as he battles in the ancient world against man, beast and god in his struggle to achieve immortality. George has actually done most of the translations himself.
Based on the earliest Summerian cuneiform tablets written 1700-1800 BCE, the epic has survived as clay fragments pieced together and preserved from the ruins of past civilizations. Not a single complete copy of the work exists, however, enough fragments from the various dig sites in Iraq and elsewhere have provided us with 11 tablets of varying length composing some 3000 lines of verse, though it is still not entirely represented. The ancients wrote in two languages, Akkadian and Sumerian. A copy was found in the ruins at Megiddo signifying that the hebrews had access to the ancient story.
In the story, the great "Flood Myth" is aluded to. The Flood is strangely similar to the "Flood Myth" presented in Genesis, though it was composed at a time many centuries before the OT was written. Various versions of Gilgamesh have survived from different localities and ages using different names for the gods and other characters, however, the story remains bacically unchanged from 1800 BCE till the last copies were made c. 100 BCE.
In the story the Anunnaki Gods created humanity to service them but they then sought to destroy the humans because they had become a bother. They tried different means to reduce the population, but then arrived at the "Flood" solution. The character Uta-napishti is likened to Noah. He builds an 'ark', loads it with animals, his family and all his worldly wealth. As a reward for his survival, the God Enlil who created the flood, rewards him with imortality. And thus Gilgamesh seeks out Uta-napishti to learn the secret of eternal life.
Overall, I thought the work was a great translation of the tale as well as a good source of knowledge of the ancient world as well as the archaeology of the tablets themselves. I enjoyed reading the book.
5 of 5 people found the following review helpful.
Not a great teaching text
By allthatfall
This may be a careful and attentive translation, but it's dutiful apparatus keeps interrupting and distracting the reader.Instead of silently incorporating a parallel version to cover a gap in the main text, the translator announces it and breaks the flow. Too many ellipses, too many bracketed passages, and the intrusive chapter summaries are unnecessary (and would tempt the lazy student to merely read the summaries and not the translation).
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