Narnclaedra: November 2010

Selasa, 16 November 2010

[Y541.Ebook] Ebook Free Research Methods for Clinical Therapists: Applied Project Design and Analysis, 5e, by Carolyn M. Hicks BA MA PhD PGCE CPsychol

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Struggling to do a project or dissertation, evaluate published research or conduct your own research? Help is at hand with this 5th edition of Research Methods for Clinical Therapists, which explains, in a clear and simple manner, how to evaluate existing research and how to conduct your own research.

Aimed at undergraduate and postgraduate students, as well as the practising health care professional, the focus of the text is the design and analysis of experimental studies. These are vital to the effectiveness studies that are central to the work of the healthcare professional. Specific examples from different areas of healthcare are used to explain the core research concepts and relate them to clinical situations. Statistical theory and jargon are kept to a minimum.

'Key concept' boxes to explain technical research terms

Activities and exercises (with answers provided in an appendix) to reinforce learning

Sample critique of a published research article

Comprehensive coverage of the key components of a robust research study

Explanation of basic mathematical concepts

Extended section on calculating sample sizes

Guidelines on the preparation of posters

Calculation of Inter-rater reliability measures, including Cohen’s Kappa, ICC (interclass correlation) and Bland-Altman graphs of inter-rater agreement

Introduction to Receiver Operating Characteristics, for use in screening and diagnostic testing against gold-standards

The Thurstone Paired Comparison Technique, valuable in capturing the user voice on a variety of service planning, design and development issues

Undertaking Systematic Reviews

Relevant further reading for each chapter to support readers in their work.

Sales Rank: #934283 in Books
Brand: Brand: Churchill Livingstone
Published on: 2009-10-02
Original language: English
Number of items: 1
Dimensions: 9.69" h x .95" w x 7.44" l, 1.95 pounds
Binding: Paperback
408 pages

Features

Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
I found this book very useful when I was asked to do a research project ...
By Valerie Offeman
I found this book very useful when I was asked to do a research project during my OT level II fieldwork. I knew what type of experiment I wanted to do, but was having trouble with the statistical aspect of the project. This book did a nice job of explaining step by step how to chose your statistical test depending on your experimental design. It also walked you through step by step how to do the calculations. I had tried looking online for answers to my questions, but just became more confused. This book cleared things up for me very nicely.

See all 1 customer reviews...

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Jumat, 12 November 2010

[F912.Ebook] PDF Ebook The World Without Us, by Alan Weisman

PDF Ebook The World Without Us, by Alan Weisman

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Discover the impact of the human footprint in The World Without Us. Take us off the Earth and what traces of us would linger? And which would disappear? Alan Weisman writes about which objects from today would vanish without us; how our pipes, wires, and cables would be pulverized into an unusual (but mere) line of red rock; why some museums and churches might be the last human creations standing; how rats and roaches would struggle without us; and how plastic, cast-iron, and radio waves may be our most lasting gifts to the planet.
�� But The World Without Us is also about how parts of our world currently fare without a human presence (Chernobyl; a Polish old-growth forest, the Korean DMZ) and it looks at the human legacy on Earth, both fleeting and indelible. It's narrative nonfiction at its finest, taking an irresistible concept with gravity and a highly-readable touch.
�� Some examples of what would happen:
�� One year: Several more billions birds will live when airplane warning lights cease blinking.
�� Twenty years: The water-soaked steel columns that support the street above New York's East Side would corrode and buckle. As Lexington Avenue caves in, it becomes a river.
�� 100,000 years: CO2 will be back to pre-human levels (or it might take longer).
�� Forever: Our radio waves, fragmented as they may be, will still be going out.

Sales Rank: #1402100 in Books
Published on: 2007-07-10
Released on: 2007-07-10
Formats: Audiobook, CD, Unabridged
Original language: English
Number of items: 12
Dimensions: 5.98" h x 1.13" w x 5.24" l, .65 pounds
Running time: 36000 seconds
Binding: Audio CD

From Publishers Weekly
Because of the scientific terminology and the interlinked data amassed bit by bit, this is not an easy read for narrator or lay listener. But it's a fascinating book, and Grupper handles it well. Grupper's careful narration brings to life Weisman's judicious organization, unambiguous grammatical structure and vivid descriptions of what would become of land, sea, fish, flora and fauna should humans disappear from the face of the earth. Weisman explains the earth's capacity for self-healing. Unchecked by human intervention, a city like New York would flood within days, its buildings and infrastructure would collapse, and soon the city would revert to its original ecosystem. But the message of the book is our legacy to the universe: Every bit of plastic manufactured over the last 80 years or so still remains somewhere in the environment. Weisman and Grupper convert abstract environmental concepts into concrete ideas. Broadly and meticulously researched, finely interwoven journalism and imaginative projection, the book is an utterly convincing call to action.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Teasing out the consequences of a simple thought experiment—what would happen if the human species were suddenly extinguished—Weisman has written a sort of pop-science ghost story, in which the whole earth is the haunted house. Among the highlights: with pumps not working, the New York City subways would fill with water within days, while weeds and then trees would retake the buckled streets and wild predators would ravage the domesticated dogs. Texas’s unattended petrochemical complexes might ignite, scattering hydrogen cyanide to the winds—a "mini chemical nuclear winter." After thousands of years, the Chunnel, rubber tires, and more than a billion tons of plastic might remain, but eventually a polymer-eating microbe could evolve, and, with the spectacular return of fish and bird populations, the earth might revert to Eden.
Copyright � 2007 Click here to subscribe to The New Yorker

From Bookmarks Magazine
Perhaps operating on the assumption that he won't be around, Alan Weisman gets a head start on measuring the global human footprint. Although he doesn't intend The World Without Us to be an explicitly environmental work, the specter of global warming hangs over the book like a heavy toxic cloud. Some reviewers wonder whether all the doom and gloom is necessary: Why investigate a question that skirts the underlying cause of the problem? That said, Weisman, a professor at the University of Arizona, has done his research and collected a wide range of data to support his findings, which he delivers in graceful, entertaining prose. We think Michael Grunwald's review in the Washington Post sums it up nicely: sure the book's trivia. Quite a few of us like that.

Most helpful customer reviews

2 of 2 people found the following review helpful.
An Adventure in Journalism
By Jonas
The reason you came for this book is probably to find out what will happen to your home or New York City after people disappear. You want to learn if it will really be like "I Am Legend" or other Post-Apocalyptic stories where people are gone. At least, that's why I came.
And Weisman does explain just that. But he does so in the first few chapters. The remain 15 or so go into details about Earth without man you never would have expected. He examines places like Cyprus and the Korean DMZ, which people haven't touched in ages. He takes you places you never would have expected. Each chapter is a different story, a different location, a different analysis. Each could be it's own article.
This book ends up teaching a lot about human history as well. I certainly didn't expect that.
This book is an interesting read, a learning adventure across the globe. As cheesy as it sounds, its a great ride.

1 of 1 people found the following review helpful.
My summary
By Amazon Customer
The World Without Us
Book written by Alan Weisman
Essay written by Caleb Cushman 9th grade English.
Many people wonder, “how would the world react if humans were gone?” With this question comes the thought process of, “have we done enough for the world to even recognize humans as a species?” In the book, The World Without Us, Alan Weisman proposes to the readers how the world was, is, and will most likely become because of humans or the lack thereof.
Before humans came along, many species of animals existed. These fabled creatures were abundant and the kings of their time. The earth was seemingly perfect, flawless, a perfect gem in the middle of their universe. But our ancestor Humans would soon hunt species to extinction without realizing the inherent dangers of killing them off. With this activity would come the tyrannical, natural dictatorship of humans over all other animals, deciding what and why and which animals would exist.
The human species, (homo sapiens), have begun a long story to engrave in this planet. With this story comes the prelude of the time before us, the main event of how this world will end, and the exit where we humans leave this earth either to a glorious paradise or to a horrendously scarred remnant of a planet. Today many humans believe we are helping nature, but is what the truth? In his book, Author Alan Weisman states that nature repairs itself much better than any human who tries to help. But can humans play a roll destroying nature by building our automobiles and machines that constantly spew toxins into the atmosphere; or will we help nature rebuild into a haven worthy of being called a “Garden of Eden”? The great question humans have created with our existence today is whether we have a purpose on this planet.
Humans have created many objects to last, but will these objects outlast even nature itself? Mount Rushmore, a massive mountain with the four presidents of great integrity carved into its side, is only losing an approximate 1 inch every 10,000 years, giving Mount Rushmore 7.2 million years to boast about Americas success. The underground city of Derinkuyu in Turkey was built to last as a defensive fort and is almost impenetrable. Nevertheless, the fort still has the possibility of crumbling under earths mighty earthquakes and pressures. Man has created quite a world for itself but nature will always come back twice as strong, causing almost any building to fall under its fatal grasp. The greatest feats for man still fall short of natures full power.
The impact of man is quite great upon the earth. However, no force known to earth is more powerful than nature itself. Therefore, man has been allotted a small amount of time to show what potential we have to dedicate to this planet, but is it enough to change it? We return to the question asked earlier by humans, “ how would the world react if humans were gone?” perhaps has been answered. Humans may be remembered by the things we leave behind, but the earth will not change drastically because of our disappearance.

1 of 1 people found the following review helpful.
The (Mostly) Recovered World after We've Left
By Caitlin
No matter who you are or where you have lived, you have had an impact on the world, whether it is more global or local, immediate or delayed. When you compile the impact of the approximately 7 billion people alive today as well as the effect of all those that have lived before us, it amounts to many different consequences by our species, and everyday our impact increases. But what if we were all of a sudden gone? What if Homo sapiens no longer tread on the soil that we have so disturbed? What impact would we leave behind?
Although Alan Weisman acknowledges that it is unlikely that our species will quickly perish, he still addresses this question in The World Without Us in order to more closely examine our environmental impact. Weisman examines human impact ranging from megafauna extinctions to genetically modified plants and from the altered composition of the atmosphere to what will happen to cities and nuclear plants when we leave. Unlike many authors that address human environmental impact, Weisman takes a surprisingly positive approach. Perhaps our impact may not be as lasting as many view it to be. In many of these chapters he does note that some things will last long after we have gone. Although, this does not appear to be his main focus.
The book is well written, captivating, and definitely gives hope that Homo sapiens have not forever destroyed many aspects of the world. The atmosphere can return to normal despite the holes we have contributed to in the ozone layer. Forests can thrive even after we come through and displaced many species and harvest many trees. Despite these positive points, Weisman does some things that will last longer, but I find that Weisman fails to emphasize the fact that our impact will forever alter the world. The species that have gone extinct can never come back. Yes, extinction is a natural part of growth for the world, but many species have gone extinct primarily because of humans. At the same time I think of the fact that we must have an impact. There is no way for a species to have no impact. Each species on the planet affects many others both directly and indirectly.
One example of when Weisman fails to bring concern is when he talks of the impact our production of plastics is having. We are not seeing plastics biodegrade. There is hope that something will develop the ability to degrade the plastics, but in the meantime it will continue to kill all sorts of wildlife as they ingest it. The rubber we use for tires also has yet to find something that can degrade it. Both rubber and plastic will likely be around long after Homo sapiens are gone and continue to affect the world we left behind. Yet, after reading these segments by Weisman, I did not feel incredibly compelled to minimize my use of plastic or rubber. Weisman does not seem to be rallying people against their negative environmental impact. Since humans will likely be around a long time, we need to work on lessening the impact that we have, and I found that Weisman did not emphasize this as I believe he should.
Comparing Weisman to George Perkins Marsh, we find some things that at least appear to contradict each other. Marsh examines the balance that is a key part of nature. As humans expend resources, they don't come back as they were. Nature is not able to bring itself back to where it was. Weisman seems to find that nature can reflect what it was in the past, and he appears to find this acceptable. Perhaps this is all we can ever expect. It may be best that nature is not exactly as it was. It is ever changing and adjusting together with all its interconnected parts. Whatever the result, Weisman finds hope where many fail to.
Weisman also alludes to human's desire to be remembered. We've sent off signals to try and contact other intelligent life, and we do our best to preserve our bodies that inevitably decay anyways. If you think about it, we all have a desire to be remembered by others, to do something which will have impact that will outlast our bodies. However, we want to make sure that what we leave does not doom the earth that housed us for so long.

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Rabu, 10 November 2010

[W822.Ebook] PDF Ebook Art Forms in Nature: The Prints of Ernst Haeckel, by Ernst Haeckel, Olaf Breidbach, Richard Hartmann, Irenaeus Eibl-Eibesfeldt

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The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the "unity of all living things" and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and "constructive" aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.

Sales Rank: #38482 in Books
Brand: Haeckel, Ernst
Published on: 2008-08-25
Released on: 2008-08-25
Original language: English
Number of items: 1
Dimensions: 12.62" h x .53" w x 9.48" l, 1.90 pounds
Binding: Paperback
140 pages

Amazon.com Review
Every biology student knows Ernst Haeckel as the originator of the "Biogenetic Law": ontogeny recapitulates phylogeny. Haeckel was a passionate student of the evolutionary shaping of biological forms, and Art Forms in Nature captures both his artistic sensibility and the scientific rigor he applied to all his studies. First published in 1904, Art Forms in Nature is a glorification of function and form, a demonstration of organic symmetry that has nothing--and everything--to do with nature as it actually exists. Each plate exhibits organisms carefully arranged and exquisitely detailed, "a symbiosis between decorative sketches and descriptive observations of nature," as Olaf Breidbach states in his fascinating introductory text. The radiolarians, medusae, rotifers, bryozoans, and even frogs and turtles lovingly recreated here are gorgeous and self-explanatory, rendered in delicate, filigreed lines, and colored gently with muted green, delicate pink, and sepia. Art students will appreciate the designs found in nature--scientists will love the evolutionary statement of form inherent in the beauty. --Therese Littleton

Language Notes
Text: English (translation)
Original Language: German

From the Inside Flap
The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This volume highlights the research and findings of this natural scientist.

Most helpful customer reviews

377 of 386 people found the following review helpful.
The dimensions are correct
By C. Toledo
[[VIDEOID:22092021]]Video shows the size of the book, flipping through a lot of the plates and rambling.

79 of 81 people found the following review helpful.
A most excellent book
By Danny Mauer
The illustrations are awesome, there's a universe of beautiful complex lifeforms that are too small for us to see. The illustrations are all in color, unlike other versions of Ernst Haeckel's prints, and it also has lots of text in the front about Ernst Haeckel's work, an autobiographic timeline in the back etc... Unbelievable art

58 of 59 people found the following review helpful.
Beautiful book! Highly recommended.
By Phoenicia
This is such a lovely book, I just HAD to let all you readers know. I didn't know anything about Haeckel (never even heard of the man.....), when I ordered this book. I just loved his drawing of the Medusa on the cover, and couldn't resist buying it, and boy, am I glad that I did..... There is such a quiet beauty in these plates.

The book is also published by Dover (see my review there), without any accompanying text (apart from a short publishers's note), and with all the plates printed in black and white.

In this book, many of the plates are printed 'in color' (either different hues of one color, or a color scheme based on two colors). The book also has a highly informative article on Haeckel and his times, and on those that were influenced by him.

I find it very hard to explain what exactly makes these plates so wonderfully beautiful. It is partly the symmetry of their composition, and the way in which they render the beauty of nature. The article in the book itself describes it very well:

"What is it that Haeckel depicts here that is so beautiful? It is the beauty of ornament. The forms illustrated in these pages seem to fit seamlessly into the repertoire of Art Nouveau forms. [........] Haeckel's approach did not determine Art Nouveau, instead Art Nouveau's approach determined Haeckel's. What ensued was a symbiosis between decorative sketches and descriptive observations of nature [...]."

If you are looking for a book on Haeckel and his plates, get this one!

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#1 best-selling guide to the Philippines*

Lonely Planet Philippines is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Swim at secluded beaches in the Bacuit Archipelago, take part in a colourful fiesta, dive remote reefs and magnificent walls at Apo Island or Balicasag; all with your trusted travel companion. Get to the heart of the Philippines and begin your journey now!

Inside Lonely Planet Philippines Travel Guide:

Colour maps and images throughout
Highlights and itineraries help you tailor your trip to your personal needs and interests
Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots
Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices
Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss
Cultural insights give you a richer, more rewarding travel experience - history, etiquette, people, culture, politics, environmental issues, landscapes, wildlife, cuisine.
Over 90 maps
Covers Manila, Corregidor, Luzon, Zambales Coast, Lingayen Gulf, Ilocos, the Cordillera, Batanes, Bicol, Masbate, Catanduanes, Marinduque, Mindoro, Boracay, the Visayas, Negros, Cebu, Bohol, Samar, Mindanao, Palawan and more

The Perfect Choice: Lonely Planet Philippines, our most comprehensive guide to the Philippines, is perfect for both exploring top sights and taking roads less travelled.

Looking for more extensive coverage? Check out Lonely Planet Southeast Asia on a shoestring guide for a comprehensive look at all the region has to offer.

Authors: Written and researched by Lonely Planet, Michael Grosberg, Greg Bloom, Trent Holden, Anna Kaminski and Paul Stiles.

About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves.

*Best-selling guide to The Philippines. Source: Nielsen BookScan. Australia, UK and USA, February 2014-January 2015

Sales Rank: #32800 in Books
Brand: imusti
Published on: 2015-06-01
Original language: English
Number of items: 1
Dimensions: 7.76" h x .79" w x 5.04" l, 1.10 pounds
Binding: Paperback
480 pages

Features

Lonely Planet

Most helpful customer reviews

13 of 14 people found the following review helpful.
The maps are pretty much useless
By Ajax
Kindle edition is difficult to navigate. The maps are pretty much useless. Lonely Planet isn't what it used to be. They are more focused on upmarket travellers than they used to be, and their preachy political correctness causes them to leave out a lot of information. The printed Jens Petersen book is a little older but far more useful.

1 of 1 people found the following review helpful.
For Travellers Who Don't Care About Culture
By Ikat
This guidebook is the product of deeply uncurious minds. It goes on and on and on about beaches, diving, snorkling, with virtually no discussion or detail about architecture, tribal cultures or any of the things many folks travel to see. Sure, it will say there is a tribal market - but provide no information about tribal villages in the region, whether they exist, are worth visiting, etc. This is true even in an island as rich in tribal culture as Mindanao. In the chapters at the end of the book, there are about 2 pages whichever list, and very briefly describe, the tribes.

The same is true where architecture is concerned. Spanish Colonial? Art Deco? Why bother? Also, information on museums is minimal. Yes, it tells you what they have, hours, etc. - but surely there are large museums in Manila that deserve more.

I am about I read the Rough Guide, a series I dislike, to see if they are better. Otherwise, I'll use LP for treansportation and general information and rely on Google, and books, for real information.

0 of 0 people found the following review helpful.
I must say that we were disappointed by this particular Lonely Planet Guide
By Jen
2 friends and I just arrived home from a 2.5 week Philippine Adventure. I must say that we were disappointed by this particular Lonely Planet Guide, as we discovered far more things to do and see, including many hidden gems that only Lonely Planet usually notifies travelers of, on blogs, Trip Advisor, and just plan ol' remembering things from Travel Channel Shows. So disappointed, in fact, that one of my fellow travel buddies is planning on writing Lonely Planet a letter. I didn't look through the Rough Guide or any other tour book, but there's no way that those can be worse than this edition. It just seemed like the authors were uninspired and compiled just enough to call it a book. Also, a lot of the things listed that Lonely Planet rated as mediocre turned out to be fantastic and vice-versa. I wish Rick Steves did more than just Europe!

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[S619.Ebook] Ebook Free The Cinema of Agnès Varda: Resistance and Eclecticism (Directors' Cuts), by Delphine Benezet

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Agn�s Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted r�veries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.

Sales Rank: #1597420 in Books
Published on: 2014-05-20
Original language: English
Number of items: 1
Dimensions: 9.10" h x .60" w x 6.10" l, .65 pounds
Binding: Paperback
208 pages

Review

There have been other excellent books on Varda, but this particular text, neatly illustrated with frame blow-ups, and graced with a detailed filmography, is one of the best, and also has the virtue of being the most complete... Pick up a copy now.

(Frame by Frame)

A solid contribution to the field... Unique in its precision and focus on the evolution of Varda's continual embrace of upcoming artistic media, technological advances, and social inclusion.

(French Review)

A relevant and insightful review of Varda's career thus far.

(LSE Review of Books)

Review

Delphine B�n�zet's study of Agn�s Varda explores the multi-faceted productions of this exceptional and influential creator, including her films (from essays to fiction features to autobiographical reflections) and her installations. Discussions of Varda's best-known films are accompanied by analyses of those that have received far less critical attention, and the author's focus on Varda's particular production methods, as well as the historical contexts that shaped her interventions, enhance our understanding and appreciation of the contributions of this unique visual artist. B�n�zet's book will be of interest to specialists as well as to those discovering Varda for the first time.

(Judith Mayne, Ohio State University)

Delphine B�n�zet fills a crucial gap in the scholarship on Agn�s Varda by tackling her 'neglected films' and installations. Written in a clear, flowing prose, her essay illuminates Varda in a refreshing, new light.

(Florence Martin, Goucher College)

About the Author

Delphine B�n�zet teaches comparative literature in the School of Languages, Linguistics, and Film at Queen Mary, University of London.

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Sabtu, 06 November 2010

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Bored and drunk is how Felix Dunbury spends his time. Although still young, there isn’t much he hasn’t already done and he knows exactly what motives people hide behind the glittering veneers of Marbella, including more than a few dirty little secrets.

Along with the rich and connected, Marbella attracts the ambitious and the devious, and Felix sees sexy little Shania Tyler for what she is, a grafter trying to get her greedy hands on anything she can. Somehow this girl has wheedled her way in with his little sister, Esme, and annoyingly, people refuse to acknowledge what she is.

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Sales Rank: #1256342 in eBooks
Published on: 2015-12-11
Released on: 2015-12-11
Format: Kindle eBook

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0 of 0 people found the following review helpful.
Loved it!!
By nena
Great sequel to Marbella Nights, nice to follow up on old characters and meet new ones. Looking forward to the 3rd installment!

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Kamis, 04 November 2010

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Published on: 1996
Binding: Hardcover

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